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Maybe that’s you, and if it is, let me just say: grow up and stop being such a tool. With work, kids, and the like, it can prove difficult to lay out a well-conceived, well-executed plan to get your sweetheart in the right mood and in the bedroom.

Coriolanus—Caesar—Antony stand in flawed strength, and fall by their vanities;—Hamlet is indolent, and drowsily speculative; Romeo an impatient boy; the Merchant of Venice languidly submissive to adverse fortune; Kent, in , is entirely noble at heart, but too rough and unpolished to be of true use at the critical time, and he sinks into the office of a servant only.

Orlando, no less noble, is yet the despairing toy of chance, followed, comforted, saved by Rosalind.

— In his laboured and perfect plays you have no hero.

Othello would have been one, if his simplicity had not been so great as to leave him the prey of every base practice round him; but he is the only example even approximating to the heroic type.

Whereas there is hardly a play that has not a perfect woman in it, steadfast in grave hope, and errorless purpose: Cordelia, Desdemona, Isabella, Hermione, Imogen, Queen Catherine, Perdita, Sylvia, Viola, Rosalind, Helena, and last, and perhaps loveliest, Virgilia, are all faultless; conceived in the highest heroic type of humanity.

Then observe, secondly, The catastrophe of every play is caused always by the folly or fault of a man; the redemption, if there be any, is by the wisdom and virtue of a woman, and, failing that, there is none.

We may, at times, enjoy various pleasures, and partake of the good things of this life.